The southern point, Windmill viewpoint, Karon viewpoint.
Promthep Cape and the Phuket headlands
Sunset location and the whole island knows it — the car park fills an hour before. The better frames are on the approach paths rather than the platform itself. Wind at the cape is constant and strong; anything loose in the wardrobe becomes the subject of every frame.
Limestone cliffs straight out of the water, longtail boats, Phra Nang beach.
Railay and Ao Nang, Krabi
Railay is boat-access only, which is a genuine logistical constraint — you are on the longtail schedule and tide, and the last boat back is a hard deadline. It is also why it stays emptier than Phuket. Cliffs give you shade until mid-morning on the east side.
Wat Arun from the Thonburi bank, the Chao Phraya at dusk, rooftop bars.
Bangkok riverside and rooftops
Shoot Wat Arun from across the river at blue hour, not from inside the compound. Rooftops are private venues with their own rules and most will not permit a formal shoot without arrangement — the ones that will, charge. City haze December to February softens everything, which helps portraits and hurts skylines.
Temples, teak, mountain roads, morning mist in the valleys.
Chiang Mai and the north
Cooler, quieter and completely different in character from the islands. Temple compounds have dress rules that are enforced — shoulders and knees covered — and a bridal outfit is not automatically compliant. Some temples do not permit pre-wedding shoots at all.
Palm interiors, rock formations at Lamai, coconut plantations.
Koh Samui and the quieter islands
Gulf side, so the weather calendar is different from Phuket — the wettest stretch is October to December. The interior plantations are more distinctive than the beaches and almost nobody shoots them.